Howl-o-Scream - Busch Gardens Tampa- 2018
It’s undeniable that there are a lot of fans of Busch Gardens Tampa Bay’s Howloscream event. Some claim it’s a Halloween Horror Nights beater, which is certainly quite an impressive accomplishment. After hearing all this hype, we were eager to give this event a shot for its 2018 season. This year there are four returning attractions, with two brand new haunts Insomnia and Simon’s Slaughterhouse. The latter being touted as a 17+ attraction due to its extreme content.
Our night started off with a bang with the impressive Fright Feast, which we certainly recommend if you’re looking to attend the event. This dining option allows you access to an all you can eat buffet while watching a performance of the raunchy Fiends show alongside a sneak peak of some of the roaming actors you’ll encounter throughout the night. As if that wasn’t enough you’re then granted 1.5hrs express pass access to all of the haunts. Theoretically, with this package you could get into all of the houses before the night really starts.
Our first haunt of the evening was Death Water Bayou, an attraction which immediately blew us away with an intricately themed facade. Upon entering the attraction we were immersed into a swamp shack that genuinely felt like it had been lifted straight out of the New Orleans bayou. Throughout the haunt the high standards of theming were consistently maintained. Unfortunately, despite some beautiful set pieces (the most notable being a haunting funeral procession) the scares felt rather tame. They mostly took the form of actors screaming at us in a rather limp manor. Our first genuine scare, was at least halfway through the attraction. While it was disappointing, we did love this particular scene which featured a living statue armed with a pair of cymbals. Thankfully immediately after this scene we were plunged into the midst of a group of bungee actors. Even having heard how impressive these bungee scares were didn’t prepare us for the frights that ensued. It’s a shame really that this is where the attraction ended. It felt very short and we wished it had more depth to it. Unfortunately, while the sets were beautiful, the scares and narrative were pretty much absent for the majority of the haunt.
We then proceeded onto one of the returning classics, Unearthed, with hope that this would be an improvement on the somewhat disappointing Death Water Bayou. Unfortunately, this house ended up being one of the lowlights of the evening. Despite featuring some rather creepy theming, the house was entirely forgettable. It was disappointingly generic, with no real theme. We were repeatedly warned about ‘her’ which would’ve been a nice build up had it actually had any pay-off. Sadly, the scares didn’t fare much better, with one of the weaker casts of the evening. We hate to criticise actors, but the scares from Unearthed were very basic and amateur in nature. Every scare was either a scream or a help me. Considering how weak the scares were to begin with, by the end of the haunt were sick and tired of hearing the same words repeated over and over. It’s a shame, as there was one scare which genuinely impressed us. Halfway through, there was a particularly impressive puppet, which was in the form of a huge gaping maw. While it didn’t make sense in the rather loose narrative, it spiced up an otherwise dull attraction. We hate to sound so negative, but the uninspired nature of Unearthed really highlighted the lack of scares. It’s a shame, but we didn’t jump once in this haunt. Here’s to hoping Unearthed see’s a major overhaul or total replacement in the coming years.
Now it is worth mentioning, that for 2018 interactive torches have been added to Unearthed to heighten the experience. For some reason these weren’t present on our run-through. We can’t say how integral they would be to the experience, but we didn’t think the haunt was dark enough to necessitate them.
After a disappointing start we headed over to Simon’s Slaughterhouse, one of the new for 2018 haunts, with hope that it would fare better for scares. Interestingly enough, Busch have placed a 17+ age restriction upon this attraction due to its graphic content. Was this justified? Not entirely, but we must say this attraction is possibly one of the goriest we have ever encountered. It’s a shame then that the attraction rested on the laurels of being gory and lacked any significant scares. It started off promising, with groups entering the attraction through separate pens. Unfortunately, the actors failed to split friends apart meaning this neat concept served no purpose. We must admit, once inside the slaughterhouse we were impressed by the atmosphere. Being pursued by actors donned in animal masks while squeals and snorts played out over the speakers made for quite a disturbing experience. We just wish the actors had given it their all, as it stands they lacked prescience. Once again we were stuck with ‘Help me’s’ and screams. It’s a shame, as the concept of the house was a sick twisted spin on the childhood game simon says. Each room was meant to represent a different theme, such as ‘Burn’ or ‘Vomit’. If the actors had really bought this concept to life, we think Simon’s Slaughterhouse could’ve really stood out amongst the crowd. Unfortunately, we didn’t see this come to fruition. As we experienced it, Simon’s Slaughterhouse shows promise, but needs a better cast to fully live up to the concept.
Our next haunt, Motel Hell was very much hit or miss. It was certainly a very unique concept, with some beautiful set design but unfortunately, some of the scare setpieces simply weren’t in use. We walked past a long of corridor of false mirrors without any interaction from actors. The fact the lights were on behind the mirrors, revealing the backstage areas bought us out of what was otherwise the most immersive haunt at the event. That being said, we did receive some genuine scares. The chainsaw which swiped at us from the ceiling was huge surprise, and was definitely a scare that caught us off guard. Sadly, this scare wasn’t representative of the rest of the attraction. We hate to sound so negative, but the scares in Motel Hell were some of the worst we saw all evening. Once again we had the screams and help me’s but we also had a boo… yes that’s right Motel Hell actually featured a boo scare, which to us is incredibly out of place in such an adult attraction. The rest of the actors didn’t fare much better, with one scare amounting to nothing more than an actor on a chair waving a puck from a lawn game towards us. We were a bit shocked that something so pedestrian was deemed an appropriate method of scaring. It was a real shame, because the maze was beautifully designed. We’d love to imagine that in the coming years this attraction will return to form with a befitting cast that are capable of scaring.
At this point we were craving something to finally scratch that itch for a good scare. Thankfully this is where Insomnia comes in, the second new for 2018 haunt, albeit without the 17+ age rating of Simon’s Slaughterhouse. Don’t let that fool you into thinking this meant Insomnia was tame. Far from it! We personally feel this house was the best attraction at Howloscream by far! While the actors could’ve worked on creating more prescience with their performances, the scares were overall pretty good. The concept of multiple phobias coming to life meant there were plenty of outlandishly wacky and creative setpieces. Some of our favourites included a deviously simple, yet impactful scare which came from under the bedsheets and a visually striking atom bomb scene featuring some cunning misdirection and an actor hiding in plain sight. Both of these were great, but nothing could come close the sheer brilliance that was the carnivorous animatronic sheep that was snacking on one of the patients arms. We could go on for hours about the setpieces in this maze, afterall we haven’t even mentioned the moving wall scene, but alas we don’t want to spoil too much. It gives us great delight that we can say Insomnia was a success. We absolutely adored the ingeniousness of the design in this haunt. While the acting could’ve done with a touch more aggression and impact, we certainly received a fair few scares in this attraction.
We decided to round out the evening with the Black Spot. This haunt is a real sight to behold. Located within a grounded shipwreck, the entire attraction is absolutely gorgeous. It really highlights how few pirate haunts there are out there when you see one as spectacular as this. Sadly, despite the high levels of theming, this was perhaps the weakest maze of the evening. On multiple occasions we had actors saunter past us, with no attempt to acknowledge our existence. Some even lurked in the corners of the maze doing absolutely nothing as we walked through. It was almost as if the actors didn’t care. Our only scare from this attraction took the form of an actor hiding in a treasure box, which we must admit did make us smile. While the sets for Black Spot were impressive, the scares (or lack-thereof) left us utterly disappointed. We genuinely wish we had skipped this haunt and had done another runthrough of Insomnia.
Aside from the haunts, Howloscream also features a variety of scare zones. We were impressed by the sheer number of zones, and it truly felt that the entire park had transformed after dark. Unfortunately, some were better than others. Meat Market and Camp DOA were our two favourites, being the most intricately themed and immersive of the bunch. Both featured a strong cast, who interacted with passers-by in fun and interesting ways. Some of the other zones however lacked life. Dia De Los Muertos was sadly little more than a photo opportunity and Deadly Toys had such poor lighting that you could hardly see any of the set pieces lining the pathway. The final two scare zones were Hell on Wheels and Maniac Midway. Hell on Wheels was a bit too generic for our tastes, but the actors were attempting to create a befitting ambience. Maniac Midway on the other hand was a fun clown themed scare zone, which had some great actors who seemed to be taking a lot of enjoyment out of their roles. We think it’s fair to say the quality of the scare zones was a lot more consistent than the haunts themselves. There were certainly some issues present, but we did find ourselves enjoying some of these zones.
It’s a shame, but we honestly feel we must’ve visited an entirely different event to everyone else. We had heard people signing from the rooftops about how utterly terrifying Howloscream was. Unfortunately, our experience couldn’t have been more different. Each haunt had something to love. Generally, their concepts and theming were spectacular. The acting talent on the other hand left a lot to be desired. There were too few memorable scares throughout the evening, most came in the form of repetitive screams and help me’s. We hope we just had an unlucky experience, as it would be a genuine shame if this is a reflection of what the event is like in 2018. Hopefully future years will see improved acting, as trust us, there’s a whole lot of potential in this event! While we struggle to recommend it this year, we certainly wouldn’t want you to discount it in the future.
Our night started off with a bang with the impressive Fright Feast, which we certainly recommend if you’re looking to attend the event. This dining option allows you access to an all you can eat buffet while watching a performance of the raunchy Fiends show alongside a sneak peak of some of the roaming actors you’ll encounter throughout the night. As if that wasn’t enough you’re then granted 1.5hrs express pass access to all of the haunts. Theoretically, with this package you could get into all of the houses before the night really starts.
Our first haunt of the evening was Death Water Bayou, an attraction which immediately blew us away with an intricately themed facade. Upon entering the attraction we were immersed into a swamp shack that genuinely felt like it had been lifted straight out of the New Orleans bayou. Throughout the haunt the high standards of theming were consistently maintained. Unfortunately, despite some beautiful set pieces (the most notable being a haunting funeral procession) the scares felt rather tame. They mostly took the form of actors screaming at us in a rather limp manor. Our first genuine scare, was at least halfway through the attraction. While it was disappointing, we did love this particular scene which featured a living statue armed with a pair of cymbals. Thankfully immediately after this scene we were plunged into the midst of a group of bungee actors. Even having heard how impressive these bungee scares were didn’t prepare us for the frights that ensued. It’s a shame really that this is where the attraction ended. It felt very short and we wished it had more depth to it. Unfortunately, while the sets were beautiful, the scares and narrative were pretty much absent for the majority of the haunt.
We then proceeded onto one of the returning classics, Unearthed, with hope that this would be an improvement on the somewhat disappointing Death Water Bayou. Unfortunately, this house ended up being one of the lowlights of the evening. Despite featuring some rather creepy theming, the house was entirely forgettable. It was disappointingly generic, with no real theme. We were repeatedly warned about ‘her’ which would’ve been a nice build up had it actually had any pay-off. Sadly, the scares didn’t fare much better, with one of the weaker casts of the evening. We hate to criticise actors, but the scares from Unearthed were very basic and amateur in nature. Every scare was either a scream or a help me. Considering how weak the scares were to begin with, by the end of the haunt were sick and tired of hearing the same words repeated over and over. It’s a shame, as there was one scare which genuinely impressed us. Halfway through, there was a particularly impressive puppet, which was in the form of a huge gaping maw. While it didn’t make sense in the rather loose narrative, it spiced up an otherwise dull attraction. We hate to sound so negative, but the uninspired nature of Unearthed really highlighted the lack of scares. It’s a shame, but we didn’t jump once in this haunt. Here’s to hoping Unearthed see’s a major overhaul or total replacement in the coming years.
Now it is worth mentioning, that for 2018 interactive torches have been added to Unearthed to heighten the experience. For some reason these weren’t present on our run-through. We can’t say how integral they would be to the experience, but we didn’t think the haunt was dark enough to necessitate them.
After a disappointing start we headed over to Simon’s Slaughterhouse, one of the new for 2018 haunts, with hope that it would fare better for scares. Interestingly enough, Busch have placed a 17+ age restriction upon this attraction due to its graphic content. Was this justified? Not entirely, but we must say this attraction is possibly one of the goriest we have ever encountered. It’s a shame then that the attraction rested on the laurels of being gory and lacked any significant scares. It started off promising, with groups entering the attraction through separate pens. Unfortunately, the actors failed to split friends apart meaning this neat concept served no purpose. We must admit, once inside the slaughterhouse we were impressed by the atmosphere. Being pursued by actors donned in animal masks while squeals and snorts played out over the speakers made for quite a disturbing experience. We just wish the actors had given it their all, as it stands they lacked prescience. Once again we were stuck with ‘Help me’s’ and screams. It’s a shame, as the concept of the house was a sick twisted spin on the childhood game simon says. Each room was meant to represent a different theme, such as ‘Burn’ or ‘Vomit’. If the actors had really bought this concept to life, we think Simon’s Slaughterhouse could’ve really stood out amongst the crowd. Unfortunately, we didn’t see this come to fruition. As we experienced it, Simon’s Slaughterhouse shows promise, but needs a better cast to fully live up to the concept.
Our next haunt, Motel Hell was very much hit or miss. It was certainly a very unique concept, with some beautiful set design but unfortunately, some of the scare setpieces simply weren’t in use. We walked past a long of corridor of false mirrors without any interaction from actors. The fact the lights were on behind the mirrors, revealing the backstage areas bought us out of what was otherwise the most immersive haunt at the event. That being said, we did receive some genuine scares. The chainsaw which swiped at us from the ceiling was huge surprise, and was definitely a scare that caught us off guard. Sadly, this scare wasn’t representative of the rest of the attraction. We hate to sound so negative, but the scares in Motel Hell were some of the worst we saw all evening. Once again we had the screams and help me’s but we also had a boo… yes that’s right Motel Hell actually featured a boo scare, which to us is incredibly out of place in such an adult attraction. The rest of the actors didn’t fare much better, with one scare amounting to nothing more than an actor on a chair waving a puck from a lawn game towards us. We were a bit shocked that something so pedestrian was deemed an appropriate method of scaring. It was a real shame, because the maze was beautifully designed. We’d love to imagine that in the coming years this attraction will return to form with a befitting cast that are capable of scaring.
At this point we were craving something to finally scratch that itch for a good scare. Thankfully this is where Insomnia comes in, the second new for 2018 haunt, albeit without the 17+ age rating of Simon’s Slaughterhouse. Don’t let that fool you into thinking this meant Insomnia was tame. Far from it! We personally feel this house was the best attraction at Howloscream by far! While the actors could’ve worked on creating more prescience with their performances, the scares were overall pretty good. The concept of multiple phobias coming to life meant there were plenty of outlandishly wacky and creative setpieces. Some of our favourites included a deviously simple, yet impactful scare which came from under the bedsheets and a visually striking atom bomb scene featuring some cunning misdirection and an actor hiding in plain sight. Both of these were great, but nothing could come close the sheer brilliance that was the carnivorous animatronic sheep that was snacking on one of the patients arms. We could go on for hours about the setpieces in this maze, afterall we haven’t even mentioned the moving wall scene, but alas we don’t want to spoil too much. It gives us great delight that we can say Insomnia was a success. We absolutely adored the ingeniousness of the design in this haunt. While the acting could’ve done with a touch more aggression and impact, we certainly received a fair few scares in this attraction.
We decided to round out the evening with the Black Spot. This haunt is a real sight to behold. Located within a grounded shipwreck, the entire attraction is absolutely gorgeous. It really highlights how few pirate haunts there are out there when you see one as spectacular as this. Sadly, despite the high levels of theming, this was perhaps the weakest maze of the evening. On multiple occasions we had actors saunter past us, with no attempt to acknowledge our existence. Some even lurked in the corners of the maze doing absolutely nothing as we walked through. It was almost as if the actors didn’t care. Our only scare from this attraction took the form of an actor hiding in a treasure box, which we must admit did make us smile. While the sets for Black Spot were impressive, the scares (or lack-thereof) left us utterly disappointed. We genuinely wish we had skipped this haunt and had done another runthrough of Insomnia.
Aside from the haunts, Howloscream also features a variety of scare zones. We were impressed by the sheer number of zones, and it truly felt that the entire park had transformed after dark. Unfortunately, some were better than others. Meat Market and Camp DOA were our two favourites, being the most intricately themed and immersive of the bunch. Both featured a strong cast, who interacted with passers-by in fun and interesting ways. Some of the other zones however lacked life. Dia De Los Muertos was sadly little more than a photo opportunity and Deadly Toys had such poor lighting that you could hardly see any of the set pieces lining the pathway. The final two scare zones were Hell on Wheels and Maniac Midway. Hell on Wheels was a bit too generic for our tastes, but the actors were attempting to create a befitting ambience. Maniac Midway on the other hand was a fun clown themed scare zone, which had some great actors who seemed to be taking a lot of enjoyment out of their roles. We think it’s fair to say the quality of the scare zones was a lot more consistent than the haunts themselves. There were certainly some issues present, but we did find ourselves enjoying some of these zones.
It’s a shame, but we honestly feel we must’ve visited an entirely different event to everyone else. We had heard people signing from the rooftops about how utterly terrifying Howloscream was. Unfortunately, our experience couldn’t have been more different. Each haunt had something to love. Generally, their concepts and theming were spectacular. The acting talent on the other hand left a lot to be desired. There were too few memorable scares throughout the evening, most came in the form of repetitive screams and help me’s. We hope we just had an unlucky experience, as it would be a genuine shame if this is a reflection of what the event is like in 2018. Hopefully future years will see improved acting, as trust us, there’s a whole lot of potential in this event! While we struggle to recommend it this year, we certainly wouldn’t want you to discount it in the future.
Scary
I am from England and although I have done HHN in 2005, 2011, 2014, 2015 and 2016 and have tickets for 2017, I had not done HoS until last year. Crowd levels were low so everything done with a standard ticket, atmosphere excellent and the zombie bride made my night, the houses were imaginative, well themed and jumpy, the lack of a continual "snake" of people made for more individual scares, the "bungee" flyers en-route to The Black Spot were top-notch and Motel Hell was a genuine 5 star House, even for Universal. We did it 3 times! The fact that it is back again this year, the fact that it was such an enjoyable evening and the fact that the early-bird is $29,99, I am already booked up to do it again this year. And quite frankly, can't wait!
I am from England and although I have done HHN in 2005, 2011, 2014, 2015 and 2016 and have tickets for 2017, I had not done HoS until last year. Crowd levels were low so everything done with a standard ticket, atmosphere excellent and the zombie bride made my night, the houses were imaginative, well themed and jumpy, the lack of a continual "snake" of people made for more individual scares, the "bungee" flyers en-route to The Black Spot were top-notch and Motel Hell was a genuine 5 star House, even for Universal. We did it 3 times! The fact that it is back again this year, the fact that it was such an enjoyable evening and the fact that the early-bird is $29,99, I am already booked up to do it again this year. And quite frankly, can't wait!
Howl-o-Scream - Busch Gardens Tampa- 2016
After an action packed day riding some of the biggest coasters in the region, it was time to prepare for Evil Encore, Howl O Scream’s 2016 event. 4 attractions returned from previous years and two brand new haunted houses awaited. Our night started early as we opted for the ‘Fright Feast’ option. This included our very own showing of ‘Fiends’ a tongue in cheek spooky/sexy show performed in an all you can eat style restaurant. This meant not only did we get chance to see the show before the event started, we were also well fed, watered and ready for early entry into the houses!
Death Water Bayou was our first house and we were unsure of what to expect. Nothing could prepare us for the screams we were about to make. This attraction took us on a journey deep into the voodoo forests, with the setting becoming darker and darker as we wondered the woodland with masked warriors attacking us from all angles. This attraction was where we first met ‘bungee actors’, scare actors were propelled towards our group to only stop inches away from us before being snapped back into the darkness. This has to be one of the biggest scares this particular reviewer has experienced. The ‘bungee’ technique requires skill and timing that was perfectly executed by the actors in Death Water Bayou (along with other attractions).
Unearthed was set inside the queue line of the un-used Gwazi roller coaster. The queue sets the scene well heading down deeper into the attraction. The actors in this maze are some of the most intense and in your face actors we encountered throughout our entire evening. The energetic actors along with some impressive large scale animatronic scares made for a fantastic house with scares around every corner.
Motel Hell was our first ‘new for 2016’ attraction and although not the scariest house, it had amazing set design. At no point did we feel we were inside an attraction but more so in a real motel. Bedroom scenes, reception and even a swimming pool made for a great visual treat. We entered this derelict motel and were instantly attacked with scares on all levels. A chainsaw coming from the ceiling was certainly a highlight of the night.
Circus of Superstition 3D is the events 3D Clown attraction. Although the theme isn’t exactly original, the attraction managed to give us some great scares along with some great 3D moments (more than other 3D attractions we have visited). The UV coloured rooms, bright costumes characters and huge clown animatronics made for a fun attraction with a couple of intense scares.
The Black Spot was the second new attraction for 2016. This pirate themed maze once again proved that Howl O Scream really know how to use multiple levels when scaring visitors. The Black Spot featured one of the more impressive facades of the evening with a giant skull rock dominating a whole pirate themed outdoor area before entering the attraction. The attraction (similar to others at HOS) used animatronics, and although we prefer actor led scares, Howl O Scream seem to manage to use the perfect prop, in the perfect place and at the perfect time to give us a great jump scare.
Zombie Mortuary was our final attraction of the evening and it did not disappoint. Once again this attraction was filled with actors at multiple levels to ensure we could get various scares. This house has some of our favourite scenes from the entire evening, wandering through a graveyard and being forced to duck underneath a coffin is a surreal moment, especially when being attacked by a hungry zombie.
owl O Scream boasted houses with amazing sets, fantastic actors and some awesome scares. The screams from our group were deafening. The scare zones were fun and managed to give some great chainsaw scares. Due to the theme park being so big, we sometimes could walk for a long time without seeing any houses, scare zones or roaming hordes.
However, when our paths did cross with chainsaw wielding clowns and possessed children we were certainly running for safety. Howl O Scream ‘Slider’ characters deserve a special mention, the skill and timing to scare an unsuspecting victim by sliding on your sparking knees is a qualification in its own right. Howl O Scream was a highlight of our trip to Orlando and we can’t wait to visit again.
Death Water Bayou was our first house and we were unsure of what to expect. Nothing could prepare us for the screams we were about to make. This attraction took us on a journey deep into the voodoo forests, with the setting becoming darker and darker as we wondered the woodland with masked warriors attacking us from all angles. This attraction was where we first met ‘bungee actors’, scare actors were propelled towards our group to only stop inches away from us before being snapped back into the darkness. This has to be one of the biggest scares this particular reviewer has experienced. The ‘bungee’ technique requires skill and timing that was perfectly executed by the actors in Death Water Bayou (along with other attractions).
Unearthed was set inside the queue line of the un-used Gwazi roller coaster. The queue sets the scene well heading down deeper into the attraction. The actors in this maze are some of the most intense and in your face actors we encountered throughout our entire evening. The energetic actors along with some impressive large scale animatronic scares made for a fantastic house with scares around every corner.
Motel Hell was our first ‘new for 2016’ attraction and although not the scariest house, it had amazing set design. At no point did we feel we were inside an attraction but more so in a real motel. Bedroom scenes, reception and even a swimming pool made for a great visual treat. We entered this derelict motel and were instantly attacked with scares on all levels. A chainsaw coming from the ceiling was certainly a highlight of the night.
Circus of Superstition 3D is the events 3D Clown attraction. Although the theme isn’t exactly original, the attraction managed to give us some great scares along with some great 3D moments (more than other 3D attractions we have visited). The UV coloured rooms, bright costumes characters and huge clown animatronics made for a fun attraction with a couple of intense scares.
The Black Spot was the second new attraction for 2016. This pirate themed maze once again proved that Howl O Scream really know how to use multiple levels when scaring visitors. The Black Spot featured one of the more impressive facades of the evening with a giant skull rock dominating a whole pirate themed outdoor area before entering the attraction. The attraction (similar to others at HOS) used animatronics, and although we prefer actor led scares, Howl O Scream seem to manage to use the perfect prop, in the perfect place and at the perfect time to give us a great jump scare.
Zombie Mortuary was our final attraction of the evening and it did not disappoint. Once again this attraction was filled with actors at multiple levels to ensure we could get various scares. This house has some of our favourite scenes from the entire evening, wandering through a graveyard and being forced to duck underneath a coffin is a surreal moment, especially when being attacked by a hungry zombie.
owl O Scream boasted houses with amazing sets, fantastic actors and some awesome scares. The screams from our group were deafening. The scare zones were fun and managed to give some great chainsaw scares. Due to the theme park being so big, we sometimes could walk for a long time without seeing any houses, scare zones or roaming hordes.
However, when our paths did cross with chainsaw wielding clowns and possessed children we were certainly running for safety. Howl O Scream ‘Slider’ characters deserve a special mention, the skill and timing to scare an unsuspecting victim by sliding on your sparking knees is a qualification in its own right. Howl O Scream was a highlight of our trip to Orlando and we can’t wait to visit again.
Links:
Official Website https://seaworldparks.com/en/buschgardens-tampa/events/howl-o-scream
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